A regionalist painter known for his landscape, figure and genre paintings of New Mexico, Peter Hurd was especially focused on capturing light and atmosphere. His preferred medium was tempera on gesso panel, and many of his works depict the panoramic views he saw from his beloved ranch land as well as the mixed-blood and pure-blood people with whom he was most familiar---Indians, Mexicans, and Caucasians. He was also a muralist and did many lithographs and watercolors.

Hurd was born in Roswell, New Mexico in 1904 and enrolled as a student at West Point Military Academy in New York state. Selling a painting to a supervisor, he felt encouraged to become an artist instead of a military career man.

In 1924, he enrolled in the Pennsylvania Academy of the Fine Arts and also took private lessons from well-known illustrator N.C. Wyeth. In 1929, he began to work in tempera on gesso-prepared panels, which became the medium he most frequently used.

He married Wyeth's oldest daughter, Henriette in 1929, and took his bride to New Mexico, the place of his birth, for an extended honeymoon. They later established their home in that state in San Patricio, and Henriette also became a prominent artist.

In the mid-1930s, he was a mural painter, completing post-office murals in Big Springs and Dallas, Texas, and in Alamogordo, New Mexico. During World War II, he was a war correspondent for "Life Magazine," a job in which he used his military background.

Credit: "Dictionary of American Art" by Matthew Baigell